The arms are still made out of paths and strokes, so select each one and go to Object > Expand and select just the stroke option. Send the arm to the bottom of the stack using the shortcut CMD+Shift+[, then duplicate and reflect to the opposite side. Adjust the stroke to around 25pt and select the round cap option. Use the Direct Selection tool to delete out two of the four points, to leave the path of a quarter-circle. Send this shape to the top and move it upwards a few nudges, then with the belly oval selected, click the Intersect option from the Pathfinder to trim out the excess.ĭraw an arm by starting with a large circle. Center everything up, then duplicate the main body shape. Press CMD+[ to alter the stacking order of the objects and send the ears to the bottom, so that they peek out from behind the main head outline.Ĭopy and paste the ear, then go to Object > Transform > Reflect and position on the other side of the head.ĭraw a large white oval to form a belly for the bear. The bear’s face is coming along nicely Finish it off with a small oval to form a curious mouth.ĭraw a couple of circles, one in black, and a smaller circle in white to form an ear. Adjust the shape slightly by moving the end point with the Direct Selection Tool, then add some round corner styling by going to Effect > Stylize > Round Corners. To create the nose, start with the Star Tool, and press the down cursor key while dragging out the shape to limit the points to three. Group the eye, then duplicate and move to the other side. Using just a large black circle with two smaller highlights should do the job. Giving the main body an extra click while selecting the objects will center all objects to this shape (indicated by the thick blue outline).ĭraw an extra circle that overlaps the white oval, duplicate this shape and move it to the opposite side.Ĭontinue drawing circles to produce an eye. With both items selected, use the Unite option to merge the two together.ĭraw a white oval over the two previous items, then use the align palette with center everything up vertically. Next, draw a perfect circle to the exact width of the rectangle and overlap the upper most corners. Draw a rounded rectangle onto the artboard and adjust the corner radius while dragging with the keyboard cursor keys. With vector artwork having the advantage of scalability, the initial document size isn’t too important, but a rough size of 11×11 inches will then allow you to tweak the size according to any printer’s templates. Start work in Adobe Illustrator and create a new document. From here you can select your chosen colour swatches. Click the little options arrow in the Swatches paletter, then select Color Books and Pantone Solid Coated. These are usually specified as Pantone swatches, so one initial task would be to open up your Pantone colour libraries from within Illustrator. It features a cute little bear sat peacefully in his natural surroundings, accompanied with the good old saying “Do bear s*it in the woods?”, but with a little twist of course! Often with textile based designs, you’re limited to a set number of available colours, especially if the design is to be printed using the popular screenprinting process.
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